Stained Glass 2

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Sanctuary Winter Apples

Here’s the same piece that I played in the fantastic arched tunnels of the nearby Peterborough Lift Lock. This is a second take, played at a faster tempo – still not totally pleased with my performance, but it’s interesting how these traditional dances can be easier to play at a quicker speed! Recorded after an intense day of conducting music exams, I think my brain was in more writing mode than playing, but I couldn’t resist the opportunity to ‘sound the acoustics’ of St. Lukes‘ superb sanctuary.

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You’re currently reading “Stained Glass 2,” an entry on Urban Flute Project.

Published:: 01.22.08 / 9am

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With a love of teaching and chamber music, Toronto-based flutist JAMIE THOMPSON has performed as both soloist and chamber musician in Canada and the United States, and continues to be active as aFreelance Musician, Teacher, Adjudicator and Clinician, specializing in community outreach, multi-media events and creative, performance-preparation workshops and coaching sessions.

Jamie has been on the Flute Faculty of the RCM since 1988. In addition to teaching and coaching, he has served as Chair, Woodwind Brass and Percussion Department, and has served on numerous committees, including The Community School Divisional Committee, Academic Council and the Council of Examiners. In addition Jamie has presented workshops on Examination and Performance Preparation, co-ordinated the RCM Professional Development Lecture Series, and has co-chaired the Faculty Advisory Committee for the RCM’s new TELUS Performance and Learning Centre, scheduled to open in 2008.

Urban Flute Project

Stained Glass 2

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